BREMF is a testament to the enduring cultural significance of early music within Brighton. Established in 2003, BREMF has evolved into a renowned celebration of music from the medieval, Renaissance, and Baroque periods. The event has continued attracting the masses by hosting distinguished artists like William Byrd.
Easy Access to Entertainment
Internet advancements have changed access to entertainment content by providing online platforms where fans can participate conveniently. Platforms like YouTube have made it possible for enthusiasts to participate in live events even when they are not there physically. This trend has become even more apparent in other entertainment sectors like iGaming and film. In the film industry, Netflix allows fans to access numerous videos anytime, anywhere.
In the iGaming world, online gaming platforms provide various game options, including traditional, themed, and progressive jackpot games where gamblers can participate anywhere. Variations like online bingo at Paddy Power allow players to access similar experiences to those of physical casinos, including chatting in rooms, participating in side games, etc. The 24/7 content availability also allows players to access games at any time.
BREMF leverages the internet to ensure that those who can’t reach the event physically access it online. For instance, upcoming artists can access different training sessions online. This includes the online workshops that usually occur between January and March. By livestreaming their events on Facebook and YouTube, BREMF makes it more convenient for fans to access their content. BBC Radio 3 also airs a couple of concerts during the festival.
Each Year With Its Theme
BREMFF yearly events normally revolve around specific themes to encourage new approaches toward historical music. In the 2020/21 season, they centred on the Across the Earth theme, followed by the Myths & Legends theme of the subsequent season. In 2022/23, they creatively explored the Transition theme. BREMF runs pre-festival events every September and early October to inform people more about the event’s programmes.
The festival is open to musicians specialising in historical performances using period instruments. The artists should also be able to explore the kind of music that past songwriters would have composed. This approach involves research into the era’s performance practices and musical techniques, ensuring that each rendition remains faithful to the composer’s original intentions. Through collaborations with world-class ensembles such as BREMFF Consort of Voices, BREMF delivers performances of unparalleled authenticity.
The Minds Behind the Festival
Deborah Roberts and Clare Norburn, who worked as Co-Artistic Directors and sopranos, have been programming and managing the festival. However, Norbun stepped down in 2017. BREMF was officially established as a registered charity in 2003 and has since been funded by dedicated volunteers. The event happens each autumn for two months, from October to November. Common hosting venues include St Bartholomew’s Church, St George’s Church and The Royal Pavilion.
Dame Emma Kirkby, a renowned figure in the early music movement, has been BREMF’s patron since 2003. Cathy Boyes works as the festival producer, while Harriet Lawrence is the development manager. Yvonne Eddy and Jenny Clemens are the concert manager and publicity officer, respectively. Mike Clemens and Mark Findlay, who are both volunteers, are the chair of the operations committee and treasurer.
In summary, BREMF continues to draw the attention of multitudes because of how it explores historical musical themes. As brilliant minds facilitate the festival, we expect more immersive experiences for music enthusiasts.
