Review: Now That’s What I Call a Musical

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Theatre Royal Brighton – Monday 2nd – Saturday 7th December 2024

That’s What I Call a Musical is a show that knows exactly what it’s about, celebrating the music and mayhem of the 80s, camp and cheesy with zero apologies and a wink to the audience.

The story moves between 1989 and 2009, following best friends Gemma and April through their school years, life plans and eventual reunion. It’s light-hearted and full of charm, though the plot takes a backseat to the show’s real focus, belting out the 80s hits. 

Classics like Gold, Tainted Love, Sweet Dreams and Sisters Are Doin’ It for Themselves make up a non-stop jukebox soundtrack. Nina Wadia gives a down-to-earth performance as the sensible Gemma, while Melissa Jacques brings power and emotion as April, commanding the stage with her big voice. 

The younger versions of the characters are also great. Maia Hawkins shines as young April, full of sass and confidence, and Molly Cheesley, an understudy stepping in as young Gemma, brings heartfelt depth to the role.

Blake Tuke as young Tim deserves special recognition for his hilarious and flamboyant performance. His comedic timing and dance moves stole the spotlight when he appeared, making him a real crowd-pleaser.

Adding a sprinkle of star power, 80s icon Sonia makes a memorable appearance, delivering her signature hits with an infectious smile and a voice that’s still as impressive as ever. It’s a fun cameo that draws cheers from the audience and adds a touch of authenticity to the retro vibe.

Craig Revel Horwood’s choreography keeps the show moving at a lively pace, full of high-energy routines and cheeky nods to 80s culture. The references to TV adverts, pop trends and retro styles had the audience chuckling throughout.

It’s not without its flaws. A few moments of vocal inconsistency and the thin plot might leave some wanting more polish. But the enthusiasm of the cast and a great soundtrack mostly make up for it.

This is a musical that’s all about fun and doesn’t take itself too seriously.

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